Always quirky, sometimes sweet speculative fiction

Category: About Writing (Page 4 of 7)

thoughts about writing, be it short stories, novels or even blogs

Time Sensitive

Why is it that everything happens all at once? That all deadlines seem to fall in line with one another?

If you look closely enough you can see the duct tape holding my laptop together ;p

If you look closely enough you can see the duct tape holding my laptop together ;p

Over the next 2-3 weeks I need to finish my final once over of a manuscript I submitted to a development program, I need to get two different lots of first pages prepped and sent off for the two workshops I will be taking part in at the Byron Bay Writers’ Festival as well as some extensive edits on The Troll’s Toll so I can submit the next part to my writer’s group and this time hopefully no one will want my protagonist to die.

I’ve been editing for too long, and while there is a lot more writing involved in editing than one might at first think, I yearn to create something new.

But deadlines! If my manuscript is not ready, I will forfeit my place if chosen. If my first pages for the workshops are not sent on time I’ve wasted the money spent on them, and while the writers’ group is not a stone dead line, I have goals to learn as much as possible and that is best achieved by submitting. Also I take the dislike of my protagonist as a challenge – can I still make her the person the story needs her to be, but get my group to like her?

So I have to wring every second I can from my days these next few weeks.

Hmmm, then why am I wasting time with a blog post?

The Funny Thing About Flash Fiction

The announcement in the paper

The announcement in the paper

I’m quite chuffed with myself at the moment because I recently learned one of my stories has been shortlisted in the Redlitzer Writing Competition. The whole awesome name-in-the-local-paper deal and everything. Of course this brings in a tide of friends and family asking about the story that won. This taught me a funny thing about flash fiction.

I sent in a piece of flash fiction called Stolen Hearts, and because I never thought I’d have to do a summary for it (like I do for books and longer short stories) I never created one. This leads to me trying to explain a lot of what happens in the story that is subtext so people will understand what I think is so great about my story (as well as what happens).

Of course, by the time I’m done saying all that I’ve very nearly taken up as much time as I would have if I’d just handed the 1,000 words over to them.

In flash fiction so much is implied and hinted at that a reader will usually glean for themselves, so a thorough description of the story exceeds the length of the piece itself.

I could always just give people the story I suppose, but I’d rather get as many people as possible to check out the anthology when it is released 😀 You can be sure I’ll let you know when it’s available.

How Writers Write

So a few people asked me about my last post, in the comments another writer (and friend) mentioned ‘pantsing’ and how many writers walk a line between pantsing and plotting. For the not so writerly out there (or maybe the writers who don’t spend way too much time online discovering these crazy terms) the following is a brief summary of the two main methods of writing.

First, and this is my personal style, there is the planner. We get an idea and we start planning. We world-build, we design costumes, we create characters and their back stories and we work the plot from that little spark of an idea into an entire plot, scene by scene. I’m not positive how everyone else does it, but usually once I have my idea the muse comes in and takes over and it all just flows out – as long as I don’t stop. It’s kind of like I pants the plot, then follow it.

The second method is the ‘pantser’. The pantser has their premise, their idea, their protagonist and antagonist and maybe a few other characters, possibly a scene they can’t wait to get to and they just sit down and start writing. Yup, they do it by the seat of their pants, hence the term. I’m not sure I could pull this off with anything but a short story.

My money's on this guy being a pantser.

My money’s on this guy being a pantser.

To be honest, with both methods you can see a tiny bit of overlap. When I make my initial plot, I am technically pantsing while I come up with the ideas that form the outline, also, while I’m writing my scene outline often reads: “Hayd and Even go hunting, a butengram attacks” so I pants the details. Also if a great idea comes along while I’m typing that sends the book off on a bit of a tangent I tend to follow the tangent to see if it take me somewhere cooler than my original idea – after all, my plot outline is still there and I can go back to it if I don’t like the tangent. On the other side the pantser still has some idea of what is going to happen and who their characters are as they wing their way through their story.

I’ve heard of other methods too, but many of them seem to still fall (technically) under either pantser or plotter, for example the beautiful sounding the snowflake method.

The snowflake method is a mathematical way of coming at a story and planning it. You start off with ‘the sentence’ (for those not in the know this is the sentence that sums up your entire novel in less than fifty words(for an idea of what that looks like check out my ‘Current Projects‘ page and you’ll see a whole cavalcade of them) and start building in a carefully planned method around it. If you want the details, read this page. The snowflake method seems like the hard core planner’s ideal method, but it’s a little too rigid for me.

So, if you aren’t a writer, now you know a little more about writer’s minds. If you are a writer, what methods do you like or use? If it’s pantsing or snowflake I’d love to hear how it works for you or how you go about it because they are fascinating yet foreign ideas to me.

Stalled Writing

Last year I participated in NaNoWriMo for the first time and being a competitive person really wanted to ‘win’. I was quite proud when I met the goal of 50,000 words early in the month. Immediately after my pace slackened and in the final ten days of NaNo I barely managed 5,000 more words – well under my previous achievement.

Originally I thought my sudden lack of progress was a result of having achieved my goal – I sprinted to the finish line, crossed it then sat down to puff and pant instead of jogging on. However, going back to the manuscript now I can see another issue which was probably just as large a contributing factor: my plot outline.

In late October, prepping for NaNo, I moved most of my outline into little plot cards in Scrivener. I didn’t do them all for several reasons, including: I never thought I’d get that far and I like to be a little more flexible with the end half of the novel, because as many writers know things just happen sometimes in the story, while riding on that euphoric, muse-induced typing frenzy ideas you weren’t even aware you were thinking pop out and they cause your story to change course a little. A tight outline restricts this creativity but a softer, looser one encourages you to expand on those new ideas.

So now I’m back in Scrivener, taking my loose little plot outline from a notepad document and trying to put it into little cards so I can finish my NaNo novel before I take part in Camp NaNoWriMo. So far it’s working well, an additional 6,000 words over the last two weeks, slow, but better than nothing. Now lets see if I can’t get myself typing like this guy:

typingmadman

The One Goal I Spaced On and My First Giveaway

When I made my goal list for this year (you can read them here) I spaced on an important goal.

A very important goal.

Learning.

A small collection of writing books

A small collection of writing books

Of course I had intentions to learn more through the year. I had a goal I didn’t publish of ensuring I submitted a piece every month to my critique group and a thought of perhaps finding a second critique group so I could be critiquing and getting critiqued more than once a month. I also have ordered and downloaded some more books on writing and self-editing. My dream is to have enough money to buy a professional manuscript assessment/edit sometime through the year.

Somehow I forgot to make myself accountable for my goal to learn more.

I want to be a better writer. I want to see my stories published. My deepest desire is to one day have someone tell me they have a crush on one of my characters.

I’m going to learn and grow as much as I can this year.

What do you want to learn or learn more about?

The prize!

The prize!

Now, for a bit of fun and to help promote some learning I’ve decided to do my first giveaway (yay!). I’m giving away my spare copy of Elizabeth Lyon’s ‘Manuscript Makeover’, a great book on self-editing and revision which gives many tips to help you improve your writing in general as well. For anyone concerned, this is an unread copy, I have two due to a gift giving mix-up and I’ll be keeping my well-read copy for myself.

The winner will have to be willing to provide their postal address to me so I can send the prize when the contest is over. Without further ado, behold: The Rafflecopter!

a Rafflecopter giveaway

My Response To Criticism

spot the maniacSo, I’m a weirdo.

What’s led me to this realisation this time (I realise this fact anew on a regular basis) is my reaction to my critique group’s feedback yesterday.

When I submitted ‘Groundskeeper’ last year it was well received and one person (whom I quite admire as a writer) told me with a little bit of tidying I would probably be able to get a magazine to publish it. I was chuffed, but didn’t action the changes for a few months.

Yesterday I had another piece reviewed. This story was also generally well received, but this time with some stronger criticism. The feedback was constructive, coming with examples and is something I could action not just in this individual piece but across my writing as a whole to improve my quality. I came racing home, eager to work not just on that piece but on other projects too and see what I could do with this feedback.

In summary – one piece got told it was great, didn’t need much work, took forever to get around to it. Another piece received more criticism and I rushed home, excited, unable to wait to get to work.

I’m a weirdo.

But maybe the sort of weirdo an editor would enjoy working with ;p

Overcoming Obstacles – Indies Forward

I’m joining the team of Duolit and all the other indies at Indies Forward today to help promote The Cell War Notebooks.

 

The Cell War Notebooks cover.

The Cell War Notebooks cover.

The Cell War Notebooks was written by Julie Forward DeMay in the last seven months of her life while she battled cervical cancer. Julie can’t promote her own book like most indie authors because she is no longer around to do so, so the blogging community is doing it for her. If you already want to check the book out, here it is on Amazon (this is not an affiliate link).

For the promotion we are supposed to write about a difficult time in our lives when we were inspired to overcome adversity. I’m certain there are going to be heaps of post out there about tougher obstacles than mine, in fact the more I think of it the more I feel like I’m ‘letting the team down’ by not having some Everest-esque problem that I had to overcome, but I feel the heart of this question is in the overcoming, not the obstacle (if that makes sense to anyone but me).

I have always wanted to be a writer. Even before I really knew I did I was telling stories. My parents told me I used to sit on the end of the guest bed and tell stories to those who had stayed the night and that, young as I was, I still spun an entertaining story. I remember watching the generator indicator at my uncle and aunt’s house waiting for the generator to reach ‘float’ (which means fully charged FYI) so I could use their computer to write my Goosebumps-inspired horror stories. I remember getting a typewriter and when our family went camping giving up my leg room in the car so I could take the typewriter along with me (why I couldn’t just use a journal don’t ask me, ask ten year old Kirstie).

With age comes procrastination. Though my talents and ideas blossomed, I kept finding other things encroaching on writing time, movies, socialising(not always bad things), chores, reading – even sometimes sitting around and fantasizing about being an author took precedence.

I kept writing, but it was piecemeal, a bit here, a few pages there, months flying between chapters with nothing written.

When I gave birth to Xander I despaired. Prior to having a child I was well aware I would lose massive chunks of my time to raising another human being – I wasn’t THAT deluded – but I had no idea how tired you could be running on 5 or less hours of sleep every single night, keeping a child happy and healthy and the house clean. I had no time for anything I thought. I gave up on doing anything but ponytails or buns for my hair, I never wore make-up (not that I tended to much before that anyway) and fashion became forgotten due to a need to always be wearing something I could breast feed in.

I even read less.

To anyone who hasn’t had a kid yet you are probably shaking in your boots. To those with more than one kid, you’re probably laughing and telling me to take a concrete pill and harden up.

Xander passed his first birthday and I was depressed. Not out of any lack of love for my family, but because there was no ‘me’ anymore, only mummy and mummy was nothing like the woman she had been.

Mummy became determined to prove there was something else to her other than just her title.

I took the aforementioned concrete pill and pulled myself up out of my self-inflicted swamp of sadness. I made a website. I wrote a second book. I edited my first book and made some substantial changes. I joined a writers’ group. I took on the challenge of NaNoWriMo and came out a winner with a third book.

Basically, I kicked ass.

I was determined to be the author I spent all my life dreaming of being, and instead of just sitting around fantasising of how cool it would be to be Stephen King or JK Rowling I took action.

All of my goals are not yet achieved, but there are many lofty goals I have and I am making strides toward them. I may not achieve them this year, or even next year, but it sure as hell won’t be for a lack of trying.

I’ve spoken earlier about how having Xander solidified my determination. I know I have very little time and so I make sure I use it as productively as I can. No more lazing around all day trying to watch entire seasons of Doctor Who and Supernatural (as awesome as those days were). No, instead I throttle every drop of time out of each day that I can and use it.

So my obstacle was myself. Kind of lame compared to something as dreadful as cervical cancer. I can’t even fathom how Julie kept herself moving forward and writing The Cell War Notebooks. But that’s what we need to consider. There are people out there worse off than us and they aren’t letting their circumstances stop them, so why the hell are we letting ours stop us?

So you don’t have to waste time scrolling up, here’s the link to buy The Cell War Notebooks, so buy it, read it, review it and start overcoming your own obstacles, no matter how small or large they are.

You can read other posts by other bloggers about overcoming obstacles here on Indies Forward. You can also go to Facebook and Like Julie Forward DeMay’s page, or talk on Twitter about her book using #indiesforward or #cellwarnotebooks.

On a small side note, if you want to listen to an inspiring tale of an author fighting against the odds, listen to this podcast interview of my friend Talitha Kalago. If you come out of listening to that not feeling inspired I will be genuinely shocked!

Beta-Reading: Handing Over The Critique

At first glance this picture has no relation to this post, but the figure was a gift from the writer's wife. Squee, Loki!

At first glance this picture has no relation to this post, but the figure was a gift from the writer’s wife. Squee, Loki!

You might remember my post last month on beta-reading and how for the first time I was beta-reading a novel for one of my critique group friends. Last night he held a small dinner and gathered all of us (his beta-readers) together so we could give him our thoughts and critiques and he rewarded us with nommy chilli-dogs.

Being that this was my first beta-reading I’m not certain if this is the standard format for returning a beta-reading critique, but I can assure you it was a fun one. A table of avid readers and writers discussing the finer points of the novel, occasionally breaking off onto mad and hilarious tangents, ideas building on each other collectively – the whole experience was organic and enjoyable.

The experience felt very much like when I attend our writers’ group, and since I adore our writers’ group it was hard not to have fun (while learning).

I feel a lot can be learned from being a beta-reader. Maybe not as much as may be learned when your own work is being beta-read, but listening to the other readers’ responses seeing points I had not picked up or my own points reiterated helps me with my ability to critique both others work and my own.

As a writer, I recommend to any other writers out there that if you have the chance to join a critique group or beta-read a fellow author’s work, take it, because you will be growing as a writer yourself in doing so as well as assisting another writer in improving their own work. As I said in my last post: writers are lovely people and who doesn’t want the opportunity to grow whilst helping someone else?

Beta Reading

Right now I’m beta reading a book for one of the other authors in my critique group. I’ve paused all my other usual reading so I can focus fully on this.

Beta reading, for those not familiar with the term, is when an author asks you to read their book before it sees publication. Some authors do it before getting an agent, some before seeking a traditional publisher, some before self-publishing. A beta-reader is a tester of a novel. They read the book and hopefully give feedback on strengths and weaknesses in the text.

Beta readers can be as simple as your mum, or a friend who likes the genre you write in, or they could be someone more critical, like another writer or critique partner.

If you’ve been asked to beta read by a writer in your life feel good about it – that person has just told you that your opinion matters to them. Your feedback can shape the book.

As Uncle Ben said, ‘with great power comes great responsibility’. Now you’re a beta reader you aren’t just reading for the sheer joy of it (though hopefully you’ll still enjoy it), you’re reading to help your writer friend. They need you to tell them if a character is behaving inconsistently, or if they changed the timeline, or if they generally just confused the heck out of you.

Now don’t crush your author buddy either. They want to know what didn’t work, but they also LOVE to hear what did. If you fell in 2D love with one of the characters, fess up – as long as you don’t go too crazy fan-girl(or boy) over it then the author will feel chuffed that they created a character so realistic and likeable. If you couldn’t put the book down because it had you in a literary stranglehold they might be so happy to hear that they suffer a mild heart attack.

If you’re a beta reader it is a good idea to keep a notepad near-by (or if the writer said you could, write directly on the manuscript) so you can write down thoughts and comments immediately.

Some things you want to keep in mind are:

  • Plot, both the pacing and whether the events are interesting and believable,
  • Characterisation, are the characters interesting and consistent?
  • Do you feel compelled to continue on?

If the author asked you to look at something specific definitely keep that in the forefront of your mind.

If you’re a writer yourself and asked to beta-read chances are your author friend is expecting a more thorough run-down from you than what they expect from their sister and mum. Feel free to ask them more questions, like ‘would you like me to look closely at adverb over-use?’ or ‘do you want me to keep an eye on your speech tags?’. They will let you know what they want and hopefully you can help them polish their work to a glorious shine that makes you so envious you spring back into working on your own novel.

The most important thing to do as a beta-reader is tell the truth. Yes you might hurt your writer’s feelings a bit by saying that their protagonist just acts like an idiot in that scene in the middle of the book, but if you thought that you need to say so. You will not be the only one to notice and question the problem and the last thing you want is for your writer to publish the story with that flaw and receive flak for it from all and sundry on the internet. You can soften the blow by sandwiching it between compliments, but give your honest opinion.

So if the writer in your life asks you to beta read be glad that this person considers you special enough to see and help with the uncut gemstone they’ve been toiling on for years.

Nothing Beats Feeling Like A Winner

Nothing beats feeling like a winner.

Here’s my winners certificate from NaNoWriMo.

Win!

I’m a little sad I hadn’t come to a decision on a proper title, so the working title is what’s listed, but there are worse things in this world and others.

The shameful part however is that after passing the 50,000 word mark my pace dropped right off. I’ve barely done 5,000 words in the last few days – though China Mieville is partly to blame since I started reading Un Lun Dun.

A quick list of tips for anyone trying to pass the home stretch with NaNoWriMo. These tips are advice I used. I hope none of them horrify any of you so badly that you never visit this site again.

Put down the books for a few days. It’s tough, I know, I thought I might die, but reading time became writing time.

Who cares about house work! As long as it wasn’t actual filth (because that is wrong) just clutter and toys all over the floor I let it slide and just cleaned once a week for an hour or two block instead of every day till it looked shiny. This also avoided the craptacular feeling when Xander would promptly up-end his toy chest or a box of cookies (that I have no idea how he got a hold of) all over my fresh cleaned floor.

Minimise internet time. I had a strict 15m on facebook for morning and evening, a ban on Pinterest and since I wasn’t reading pretty much ignored Goodreads. The only internet I didn’t cut back significantly was blogging, though I did skim read my RSS feed more viciously.

Typing one handed while cuddling Xander. This may sound horrible, but Xander still enjoys being cuddled to sleep, and I am an indulgent mother, so he would snuggle up, I’d throw one arm over and type with the other hand. I want to ensure any horrified readers that this was the only time I multi-tasked his care. We still went to the park every non-raining day, went to swimming lessons, played in his sand pit, read books together, built things, blew bubbles, practiced with his shape sorter ect ect and I was fully engaged with him those times, it was only nap wind down time and when he was actually asleep that I did this.

Interestingly, because of Xander’s sleep patterns this month, I couldn’t use the getting up early and staying up late method which helped me write 65,000 words in two months earlier this year. He did have lovely big naps in the middle of the afternoon though which gave me one and a half to two and a half hours each day.

So, with what I’ve learned from my first NaNoWriMo it is clear next year I need to intentionally set a higher goal so I don’t peter out at the end, and that I should hire a cleaner next year.

Now, off to finish that first draft that NaNoWriMo has helped me start.

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